Artwork for Leonard Cohen – Memories

12 - Frankie Laine, he was singing Jezebel

Memories – Leonard Cohen “Memories” is a Leonard Cohen song released on Death of a Ladies’ Man (1977). In Cohen’s catalog it feels like a sly, dark look back—where memory isn’t a cozy scrapbook, but something unruly: part comfort, part sting, often both at once. Context Death of a Ladies’ Man is a bit of an outlier in Cohen’s discography—denser and louder than the pared-down sound many people associate with him. That friction fits “Memories” well: the song plays like a recollection that won’t stay neatly filed, arriving in flashes and waves. ...

February 20, 2026 · Tom Horn
Cover of Common People Single

11 - Common People

Common People – Pulp “Common People” is one of the most iconic songs by Pulp and a defining anthem of the Britpop era. Released in 1995 on the album Different Class, the track blends sharp social commentary with infectious energy, capturing the spirit and tensions of 1990s Britain. Background and Inspiration The song was written by Pulp’s frontman Jarvis Cocker. According to Cocker, the lyrics were inspired by a real-life encounter with a wealthy art student who expressed a desire to “live like common people.” The narrative that unfolds in the song follows this premise, exploring themes of class tourism and privilege. ...

February 19, 2026 · Tom Horn
Cover of Consolers of the Lonely

10 - Go and ask the milkman

“Carolina Drama” by The Raconteurs “Carolina Drama” is the closing track on Consolers of the Lonely, the 2008 album by The Raconteurs. The song stands as one of the band’s most ambitious narrative pieces—a Southern Gothic epic that blends folk storytelling with explosive garage rock energy. A Southern Gothic Story From its opening acoustic guitar lines, “Carolina Drama” establishes a sense of place: a rural Southern setting steeped in tension and buried secrets. The narrator recounts a childhood memory involving his mother, a mysterious preacher, and a violent confrontation. The storytelling unfolds in vivid detail, with dialogue and shifting perspectives that make the song feel like a short film compressed into a few minutes. ...

February 14, 2026 · Tom Horn
Cover of the first Ween album

9 - Buenos Tardes Amigo

“Buenos Tardes Amigo” by Ween “Buenos Tardes Amigo” is one of the most haunting tracks on Chocolate and Cheese, the 1994 release by Ween. While the band is widely known for its absurd humor, genre experiments, and surreal detours, this song reveals a darker, more restrained side of their artistry. It unfolds like a short film set to music—quiet, tense, and emotionally charged. A Cinematic Narrative From the opening line, the song feels theatrical. The narrator greets an old friend with polite warmth—“Buenos tardes, amigo”—but the calm tone carries an undercurrent of suspicion. The setting evokes a dusty border town, and the structure resembles a dramatic confrontation scene from a Western. Rather than relying on elaborate instrumentation, the song builds atmosphere through repetition and pacing, allowing the story to slowly tighten like a coiled spring. ...

February 13, 2026 · Tom Horn
The White Stripes Album Cover

8 - I got a little feeling going now

The White Stripes - Screwdriver “I got a little feeling going now…” Jack White’s distorted guitar cuts through the air like its namesake tool as " Screwdriver" explodes from The White Stripes’ 1999 self-titled debut album. Raw, primal, and unapologetically loud, this track exemplifies the duo’s stripped-down garage rock aesthetic. Blues-Punk Fury Written by Jack White, “Screwdriver” is a sonic assault that showcases the power two musicians can unleash. The song’s driving rhythm, powered by Meg White’s minimal yet effective drumming, provides the foundation for Jack’s snarling vocals and buzzsaw guitar work. There’s no bass, no overdubs, no studio polish—just pure, unfiltered energy. ...

February 12, 2026 · Tom Horn